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Genoa
travel guide
Author:
Max Piecesni
GENOA ( Genova in Italian) is "the most winding, incoherent of
cities, the most entangled topographical ravel in the world." So
said Henry James, and the city is still marvellously eclectic, full
of pace and rough-edged style. Sprawled behind the huge port -
Italy's largest and an increasingly popular stopoff for
international cruise liners - is a dense and fascinating warren of
medieval alleyways, a district which has more zest than all the
coastal resorts put together.
Genoa made its money at sea, through trade, colonial exploitation
and piracy. By the thirteenth century, on the heels of a major role
in the Crusades , the Genoese were roaming the Mediterranean,
bringing back ideas as well as goods: the city's architects were
using Arab pointed arches a century before the rest of Italy. The
San Giorgio banking syndicate effectively controlled the city for
much of the fifteenth century, and cold-shouldered Columbus (who had
grown up in Genoa) when he sought funding for his voyages of
exploration. With Spanish backing, he opened up new Atlantic trade
routes which ironically reduced Genova La Superba ("the proud") to a
backwater. Following foreign invasion, in 1768 the Banco di San
Giorgio was forced to sell the Genoese colony of Corsica to the
French, and a century later, the city became a hotbed of radicalism:
Mazzini , one of the main protagonists of the Risorgimento, was born
here, and in 1860 Garibaldi set sail for Sicily with his "Thousand"
from the city's harbour. Around the same time, Italy's industrial
revolution began in Genoa, with steelworks and shipyards spreading
along the coast. These suffered heavy bombing in World War II, and
the subsequent economic decline hobbled Genoa for decades.
Things started to look up in the 1990s. State funding to celebrate
the 500th anniversary of Columbus's 1492 voyage paid to renovate
some of the city's late-Renaissance palaces and the old port area,
with Genoa's most famous son of modern times, Renzo Piano (best
known as the co-designer of Paris's Pompidou Centre), taking a
leading role. The city was the focus of world attention for the G8
summit in July 2001 ( www.genoa-g8.it ), an event which marked a L90
billion programme to prepare for a well-earned role as European
Capital of Culture in 2004.
The tidying-up hasn't sanitized the old town , however; the core of
the city, between the two stations and the waterfront, is still dark
and slightly threatening. But despite the sleaze, the overriding
impression is of a buzzing hive of activity - food shops nestled in
the portals of former palaces, carpenters' workshops sandwiched
between designer furniture outlets, everything surrounded by a crush
of people and the squashed vowels of the impenetrable Genoese
dialect that has, over the centuries, absorbed elements of
Neapolitan, Calabrese and Portuguese. Aside from the cosmopolitan
street-life, you should seek out the Cattedrale di San Lorenzo with
its fabulous treasury, small medieval churches such as San Donato
and Santa Maria di Castello , and the Renaissance palazzi that
contain Genoa's art collections and furniture and decor from the
grandest days of the city's illustrious past.
Genoa's atmospheric Old Town spreads outwards from the port in a
confusion of tiny alleyways ( caruggi ), bordered by Via Gramsci
along the waterfront and by Via Balbi and Via Garibaldi to the
north. The caruggi are lined with high buildings, usually six or
seven storeys, set very close together. Tiny grocers, textile
workshops and bakeries jostle for position with boutiques, design
outlets and goldsmiths amidst a flurry of shouts, smells and scrawny
cats. Not for nothing is Genoa the only European city to be
mentioned in the Arabian Nights .
The cramped layout of the area reflects its medieval politics.
Around the thirteenth and fourteenth centuries, the city's principal
families - Doria, Spinola, Grimaldi and Fieschi - marked out certain
streets and squares as their territory, even extending their domains
to include churches: to pray in someone else's chapel was to risk
being stabbed in the back. New buildings on each family's patch had
to be slotted in wherever they could, resulting in a maze of crooked
alleyways that was the battleground of dynastic feuds which lasted
well into the eighteenth century. Genoa has, however, remained
relatively free of fire, not least because each building's kitchens
were invariably placed on the topmost storey.
About the
Author:
Max
Piecesni - Submit your articles to
ICEBERG2000.COM
Things
To Do and See in Genoa
Cattedrale di San Lorenzo Campanile, Genoa
Attraction type: Religious site; Historic site
Aquarium of Genoa
(Acquario di Genova), Genoa
The aquarium is a welcomed diversion from your typical Italian
vacation.
Though not
as large as some American aquariums (Monterey, Long Beach, etc.),
it
is VERY well kept and has some splendid sea...
Attraction type: Aquarium
Civic Museum of
the White Palace
(Museo Civico di Palazzo Bianco), Genoa
Attraction type: Art museum
Civic Gallery of
the Red Palace
(Galleria Civica di Palazzo Rosso), Genoa
Attraction type: Art museum; Architectural building; Historic home
Palazzo Tursi -
Palazzo Municipale, Genoa
The palace, built of pink stone and overlooking an elegant street,
is the
seat of the Town Hall and contains Paganini's famous Guarnieri
violin.
Attraction type: Government building; Historic site
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